Starting to compose all figures you draw on page. Some further away, some closer up. Think room perspective and where's your eye line.

Here I decided to line my figures up at chest level. It's always helpful to draw a little thump nail at first (see last image).

It's also more interesting when we have over laps of the figures and different spaces between the figures.

If we aren't happy with our composition, it's always fun to 'cut and paste', move them around and try out the nicest look.

In this examples case I moved my eye line from chest (original) to waist.

Think of the "golden rule" 1/3 versus 2/3 to start with first figure. Also always be aware of your eye line and the vanishing point. That way you achieve the most debt on your page.

Big contrast in size. Still level at example the shoulders. Otherwise your figures float around....

Eye line matched up (at eye line).

Thumb nails: