DRAFT: This module has unpublished changes.
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Drawing the jacket:

 

It helps to have drawn the figure in a fitted outfit first, to understand what the body does....(or under-drawing on a separate page):

 

Then we draw the jacket on the model (in the same pose) and study and analyze the folds and shadows of the fabric, sleeves.

Starting with drawing the silhouette of the garment, then adding shadows and folds with either Prisma or marker.

Adding highlights or shine at the end and refining contrasts and line quality.

User-uploaded Content
User-uploaded Content
User-uploaded Content

Grunche project.

 

Different textures: Leather, silk, mesh.

 

Under drawing on a separate page: (see steps on next images)

 

1. Silhouette of garments first with Prisma.

2. Block out leather with marker and add shine with pastel and shadows with a darker marker. Texture the textured area (little squares).

3. Draw shadows and folds of skirt with marker or water color.

4. Add highlights in lighter areas.

 

5. Legging:

Add skin tone on see through areas. Then block out black shapes. Add shine/highlights.

 

6. Render face and hair very minimal, edit.

 

7. Render shoes (leather technique).

 

8. Add and refine and contrast Prisma lines.

 

 

User-uploaded Content
User-uploaded Content
User-uploaded Content
User-uploaded Content

Drawing the jacket on tracing paper:

 

It helps to have drawn the figure in a fitted outfit first, to understand what the body does....

 

Then we draw the jacket on the model (in the same pose) and study and analyze the folds and shadows of the fabric, sleeves.

Starting with drawing the silhouette of the garment, then adding shadows and folds with either Prisma or marker.

Adding highlights or shine at the end and refining contrasts and line quality.

User-uploaded Content
User-uploaded Content

Drawing the jacket on tracing paper:

 

It helps to have drawn the figure in a fitted outfit first, to understand what the body does....

 

Then we draw the jacket on the model (in the same pose) and study and analyze the folds and shadows of the fabric, sleeves.

Starting with drawing the silhouette of the garment, then adding shadows and folds with either Prisma or marker.

Adding highlights or shine at the end and refining contrasts and line quality.

User-uploaded Content
User-uploaded Content

Drawing the jacket on tracing paper:

 

It helps to have drawn the figure in a fitted outfit first, to understand what the body does....

 

Then we draw the jacket on the model (in the same pose) and study and analyze the folds and shadows of the fabric, sleeves.

Starting with drawing the silhouette of the garment, then adding shadows and folds with either Prisma or marker.

Adding highlights or shine at the end and refining contrasts and line quality.

User-uploaded Content
User-uploaded Content
User-uploaded Content
User-uploaded Content

Drawing the jacket on tracing paper:

 

It helps to have drawn the figure in a fitted outfit first, to understand what the body does....

 

Then we draw the jacket on the model (in the same pose) and study and analyze the folds and shadows of the fabric, sleeves.

Starting with drawing the silhouette of the garment, then adding shadows and folds with either Prisma or marker.

Adding highlights or shine at the end and refining contrasts and line quality.

DRAFT: This module has unpublished changes.
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